I am hardly a fan of soppy, teenage love stories; having said that I cannot deny that I do adore a few “coming-of-age” stories, like everyone else. They are fun to read, full of very real life situations, on which if you ponder today you are filled with a bittersweet feeling, as you can relate to these emotions & anecdotes somewhere in your life as well.
However,
there is a very thin line…extremely thin, & at times invisible thin, that separates
a good “coming-of-age” tale from a soppy, silly & outlandish story.
Unfortunately for me, The Twisted Twenties fell many times in the latter
category, except for a few redeeming portions!! Alas, those portions were few &
far between.
The Twisted
Twenties, published by Half Baked Beans, and written by debutante author
Deepali Junjappa…was, well…meh!!
There was so
much that the author could have realistically explored about youngsters living
through their 20s in India. Frankly it’s an interesting & exciting space to
be in. Unlike our earlier generations who lived through their 20s in almost
similar & somewhat predictable fashion, the 20s somethings in the last
10-15 years have seen a sea change in lifestyle, choices, career options, etc.,
etc. In the last 15 years, India has opened itself to such drastic changes in
lifestyle, thanks to the sudden boom in globalisation due to increased FDI
& Internet consumption, that 20s is suddenly the new teenage age, and 30s
is suddenly the new 20s.
Suddenly
career front has extended much further & beyond the typical 3 career
choices – Doctor, Engineer or Civil Services!! Suddenly India is rife with
small scale home entrepreneurs, and mind you a majority of these entrepreneurs
are in their 20s & effectively conduct small scale business over social
networking. The blogging space….oh…people have made careers out of it!! IT
Sector, Production, Aviation, E Commerce, Travel…you name it & the avenues
have expanded. It is definitely an exciting space for 20 something woman now!!
She has so many choices compared to her predecessors, and even women from B
& C towns!! They are dappling with hitherto taboo ideas like multiple
boyfriends, marriage after 30, no marriage, marriage but no baby, no marriage –
maybe baby – definitely live in, sexuality preference being acceptable at some
level…the sky is the limit!!
And with
such interesting premise opened up to explore, it pained me to read that
Junjappa’s work was quite flat compared to what could have been written & explored
in this genre.
If only her
characters were more real, if only her characters were more relatable, if only
the book did not have that awfully IRRITATING character called Molly!!
PLOT:
Mimi
Hittalmani, the protagonist of the book, is as obvious by the title a 20
something, who is confused & trying to figure out her life with respect to career
& love & life!! This is the story of her escapades!! That’s it.
Yes….it’s as
wafer thin a plot as this!!
Now, just
because the plot is wafer thin does not mean the book cannot be interesting. An
unfair comparison, yes, but look at Vikas Bahl’s Hindi film “Queen” as an example…wafer
thin plot…girl gets stood up at the altar, girl is distraught, girl takes off
on her honeymoon alone & there she meets some strangers & funny
situations & discovers herself!! But the narrative was well spaced with so
many fun situations that the script gave birth to the very first “chick flick” classic
from India!!
Book Analysis:
WARNING - Possible Spoilers Ahead!!
The Twisted
Twenties, on the other hand starts on a very juvenile note. Mimi, the central
character, came across as an extremely confused & juvenile person, who is
suffering from a deep sense of megalomania. She seems, how we like to put it as
“full of herself”. She has the attention span of a 5 year old & shifts
preferences on guys at an alarming pace, sometimes so alarming, that she hardly
comes across as an endearing or relatable character.
Junjappa has
tried very hard to make Mimi a sort of modern day Elizabeth Benett meets Carrie
Bradshaw meets Bridgette Jones & in the attempt has created something that
is not even half endearing, entertaining or witty as either of the 3 strong
characters.
She fell
into the very predictable mould when the hero of her novel, Jai, was painted in
a Dracy-ish tone!! Almost laughable & so ho-hum.
Ironically,
Junappa observes a similar thought via her protagonist Mimi in a different
context: “Basically everything is a reconstruction of Pride & Prejudice”!!!
So true….i can see that Ms. Junjappa.
Of course,
there had to be a friendly, gay guy friend to our heroine – remember SATC!!
But possibly
the only “nail on the chalkboard” character was Mimi’s BFF, Molly!!! Oh what a
waste of so many lines this character was. Just…if just, this character was
wiped off the book, it would have made the reading so much more tolerable. Let
me not waste further words in describing this OTT waste of space called Molly.
Now
truthfully, the book had some redeeming features. The parallel track of Mimi’s
career in Indian TV industry as a story writer is very interesting & evokes
genuine & relatable moments. That part of the book is smartly written,
punctuated with funny anecdotes & let’s say her description of a certain
Telly Soap Queen (wink..wink) was spot on!! Not only that, Mimi’s frustrations
with Indian TV industry & how her fantastic storylines are twisted &
made into a weepy saga are so genuine. This part of Mimi’s tryst is so much
fun, than her irritating love track.
How I wish
Junjappa, who has actually written for Indian TV soaps, could have made this
story as a central theme & love story as a side track. It would have been
so much better!! Like Lauren Weisberger’s “The Devil Wears Prada”, that talks
about fashion magazine business as the main track & rest of the love trials
& tribulations as a side track. This behind the scenes light peak at Indian
TV industry would have formed a much interesting plot than the juvenile banter
that formed almost half of The Twisted Twenties’ narrative.
Junjappa’s
writing style could not be called fresh, fun & frothy, as is generally the
tones of such books; nor was it caustic, cynical & witty that is also some
ways of narrative represented in “coming of age” books. Her writing style in
Twisted Twenties was something possibly only a teenager today can identify
with. Or maybe call me “old school”, when it concerns books, but in my opinion,
books should contain some cerebral form of language. I am not saying make it
Victorian era prose, no way; the language can be simple & easy to
understand, sure, but it has to have some gravity in its content. How else will
you separate books from a regular, cheesy Hollywood Rom Com?
For example,
J.K.Rowling used the simplest language structure in Harry Potter, as her TG was
kids majorly, but her language, despite being simple was not mediocre &
juvenile from any angle.
And even if
Junjappa wanted to throw the “old school” book writing format out of window
& wanted to go all out uninhibited with slang/cuss words, then what is “fecking”??
Use the real words, and if you are shamed to use them, well do not use them at
all. Why this half-hearted attempt?
All in all,
The Twisted Twenties would have been so much better if it was the story of a 20
year old in the chaos called “The Great Indian TV Industry” & figuring her
life in that chaos while nurturing big dreams of career & love!!
Hope to read
more on this front from Junjappa.
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