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Saturday, 28 September 2013

Why a Sophie Kinsella cannot be a Jane Austen!!

When I can completely get irritated with my Mon – Fri corporate life, I often escape for an alone time lunch to a café…a café that is closest to a bookstore. Reason? Well, I am closer to my first love, books; second I simply adore café food; and third, I am privy to the most interesting conversations ;-) Yes eavesdropping on the tete-a-tete of the tables nearby can have its own effects J J

 

Anyways, coming back to the topic; I was, as usual, busy digging in my lunch in this café that was full of college goers & young readers; readers who have all the time in the world to revel in the joy of books, whether for course material or whether out of sheer choice in life. This one group of young women sitting next to me was particularly chatty about chick-lit genre, its emergence & the popular titles they love….interesting, right?

 

Until, one of them mentioned, “I can say hands down, Sophie Kinsella is the new age Jane Austen” (shock..shock..horror…gasp); meanwhile I choked on my soup, I could hear an almost similar response from some of the concerned party “No way!!” “Are you mad” & “How can you say that-s” followed with some nodding & agreeing with the woman who had unleashed this debate. “Why not” she piped further” Isn’t Becky (Rebecca Bloomwood of Kinsella’s bestselling Shopaholic series) almost like Emma? (Austen’s iconic heroine in Emma)…doesn’t she want to do good for everyone & ends up goofing up just like Emma” POINT. “Isn’t she a dreamer just like Emma” POINT again. “Don’t you think Luke (Becky’s hero in Shopaholic series) has some traits of Mr. Darcy – smart, debonair, simmering, brooding & observant” oooh…POINT POINT POINT.

 

The lady’s debate was followed by a poignant silence all across…then suddenly the table erupted in a collective debate, and with that it was time for me to get up & go back to my usual 9-5 life.

 

But the debate left me contemplating & thinking on the subject. Is it true? Does this debate hold any ground? I have written a post earlier on Austen which also focussed on the point, that how she was much more than a Victorian Chick-lit author that many readers deem her to be; but this comparison never dies down. Austen’s work is often compared with modern day chick lit writers, & her work is often deemed “light reads”, since her focus is her strong heroines & their everyday lives & situations. Does that mean that a Kinsella, a Bushnell (SATC), a Weisberger (The Devil Wears Prada) or a Fielding (Bridget Jones Diary) are a modern day versions of Austen, and that their best-selling works can be compared to Austen’s cult classics?

 

As a reader, my own personal opinion would be “NO”.  I have my reasons to support my opinion. Let’s just take Kinsella & Austen head on right now…

 
 


1.)  BECKY vs EMMA:
 
Although, both Kinsella’s Becky & Austen’s heroines are Brits belonging to completely different eras, but their intent differs. In fact if you look at both characters from this point of view, their character study actually becomes quite interesting to observe. Becky Bloomwood is a type A shopaholic, like many women around her. She is a very relatable character, agreed. We all face situations she faces everyday…we end up shopping what we do not need on impulse & then try hiding the mounting credit card bills, thinking if we don’t see it, we don’t have to pay it; or we will deal with this later, not now. I can understand how Becky instantly became likeable & relatable to so many women…but is she as real as Emma? No, not at all.. Apart from this first comparison, Becky keeps falling into over-dramatised un-real situations. Emma is a victim of hapless & bemusing everyday situations, but Emma is not over the top, her intentions to do good for others are not sugar-saccharine sweet or over dramatized. Whereas, Becky’s need for doing something for someone is many times so largely over the top & dramatic that you want to shake her up & admonish her for living in a la-la land all the time. The damages Emma causes are very situational & her intentions are not OTT, but Becky – she is desperate for some serious do-gooder badges. It is here that Emma scores over Becky as a character.

 


2.)  Luke’s love for Becky vs Mr. Darcy’s love for Lizzy Bennett:

On the hindsight, this is not even worth comparing. Mr. Darcy & Lizzy are winners from the word go; and I am not saying this because Pride & Prejudice is a 200 year old cult English classic. Luke is a little aloof & then drawn towards Becky, almost like Mr. Darcy is initially recluse & aloof & then drawn towards Lizzy. Both men, silent & brooding, find a certain playful & carefree qualities in their respective love interests that make them curious & drawn towards them. But this is where it ends. The relationship between Lizzy & Mr. Darcy is so beautiful & real, that a reader feels like these characters are him/her or someone around them. Lizzy’s playfulness & witticism is a perfect foil to Mr. Darcy’s silent brooding sexuality. The two seem so perfect & complimentary to each other’s personalities. Whereas, with Luke & Becky, post the first book, I simply do not get why they are together. Becky, as a wife, or a partner, seems to just be an over-sweet over-doing silly girl rather than someone who can understand or relate to Luke’s gravity or even lighten it with well-chosen witticism ala Lizzy’s foil to Mr. Dracy’s temperament. An unreal OTT situation again delivers laughs for the time being but not ever-lasting impact.

 

3.)  Becky’s relationship with siblings vs the Austen world siblings:

The sisters in Austen world are so real & so relatable. The relationship between all 5 Bennett sisters is how siblings actually grow up; or for that matter the relationship between the Dashwood children in Sense & Sensibility is how most real-life relations are. On the other hand, Becky’s relationship with her half-sister is very unreal from the word go. Agreeably it is just meant to induce some good laughs, but to compare it to Austen’s works is a bit too much. The way Becky overwhelms her half-sister with over-dramatic emotions is funny (and at times irritating) to read once, but can you read it again & again…I seriously doubt.

 

4.)  Humour:

There is no scope of comparison in this at all- Austen’s humour is subtle, yet creates way more impact, as it is derived from everyday situations that still hold true. Of course, Austen’s humour is very Victorian in nature coming from that age, but its impact leaves a great after-taste for long after being read. Kinsella’s humour will make you laugh out loud then, but loses its impact immediately after; in fact due to unreal & over-dramatised situations her humour also tends to become irritating & repetitive after a point. Now I am not saying Austen was not repetitive, but due to subtlety used by her characters’ situations her humour always seemed fresh in all her books. This is where our new age chick lit author fails to score.

 

To summarise, it will be wrong to say I do not enjoy a stray Kinsella here & there, but can I ever compare it to Austen’s lovely works – no way!! Kinsella & many of her ilk tend to be inspired by Austen’s works time & again or rather again & again, but can we claim that they match up to the legend – I think not. There is some reason that even after 200 years Austen’s works continue to inspire, enthral & awe its readers still & of all genders & age groups, whereas Kinsella’s work, though an instant bestseller, remains confined to a certain set of audience only. Austen’s deep study of her characters present you the readers with finer nuances every time the book is read & re-read, whereas, Kinsella’s characters are merely skin-deep, & hardly evoke more than a momentary emotion.

 

Give me a Kinsella for quick laughs, but to revel in human emotions & situations, I can depend only on an Austen.

 

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